Rights & Ownership
Getting Started
6 min read

Rights & Ownership Basics

The plain-English version of copyright, splits, and protecting your work.

The rights every producer should know

Copyright sounds intimidating, but the core ideas are simple — and they protect your income.

The two copyrights in every track

Two copyrights in every track

YOUR TRACK

COMPOSITION

  • Melody
  • Lyrics
  • Chord progression

SOUND RECORDING

  • The master
  • The specific recorded audio
  1. The composition — the written music (melody, lyrics, chord progression).
  2. The sound recording (master) — the specific recorded audio.

As the producer of an original beat, you typically own both until you license or sell them away.

Splits and co-production

If you co-produced with someone or used a songwriter, agree on splits in writing before you sell. Common splits: 50/50 between co-producers, or negotiated with a topliner/lyricist. Undocumented splits become disputes later.

Protecting your work

  • Keep project files and timestamps. Your DAW sessions and upload dates are evidence of authorship.
  • Register important works. For high-value exclusives or sync, formal copyright registration adds real protection.
  • Never sell what you don't fully own. Uncleared samples = a beat you can't legally license.
Key Takeaway

You don't need to be a lawyer. You need to know what you own, document it, and never give it away by accident.

Review your catalog and confirm every track is one you have the full right to sell.